Are you an artist or part of a company and you’re unsure how to go about improving the distribution of your show? Don’t know where to start?
This course will help you structure your distribution process by providing you with a clear and effective methodology that takes into account the specifics of your performance. There will be a Q&A session at the end of the day to address participants’ specific questions.
Contact me to book your session !
Holding a Master’s degree in Artistic Direction of European Cultural Projects (DAPCE) from the University of Montpellier, and subsequently trained in performing arts distribution at the Grand Rond Theater in Toulouse, I have worked as a distribution manager for several companies.
Through my experience, I have developed a 6-step method and some tips to help artists organize their distribution.
- Do you have performance dates scheduled but don’t know how to attract professionals?
- Are you unsure about organizing your distribution strategy?
- Do you need assistance in writing a distribution dossier?
- Do you not know where to start in building a contact list?
This course is designed for you !
Distribution : what is it ?
When we talk about distribution, we immediately think about finding gigs. Each project is unique, and of course, we want to tour it as much as possible. However, successful distribution begins by first creating genuine connections between your company and the programmers.
My approach to distribution doesn’t fit into sales-driven logic. We will aim to find programmers whose cultural project aligns with your performance.
Those companies trusted me
These are the companies I have assisted with their distribution in recent years :
– Sabrina Kadri for her musical solo La Boule à Fa7
– La Cie Libre Coursfor her show Strip – Au risque d’aimer ça
- Mélina Doudoux for her show Akhmatova
- Le théâtre Cabosse for his show Cabaret Miracoli
- Emma et Lima for their show El Arból
- La Cie La Barak their show Vosraces!
Mathilde Blot 